Announcements

NYIFF 2013 and Other Screenings

We are very happy to announce that Please Don’t Beat Me, Sir! will have its North American premier in New York City at the 13th Annual New York Indian Film Festival . (You can purchase tickets for the Saturday, May 4th screening via the website.)

NYIFF 2013

For those in Europe, the film will be playing Etnofilm in Rovinj, Croatia later this month and Ethnocineca in Vienna in mid-May.

Please Don’t Beat Me, Sir! has also screened at numerous festivals since our last update. For the full schedule of screenings please see our website

In addition to festival screenings we’ve done a number of university screenings followed by Q&A sessions we’ve conducted via Skype. These have worked out surprisingly well and we are always happy to work with schools to organize such screenings. Just drop us an email if you are interested.

Video on Demand

We are very happy to announce that, in an effort to ensure that as many people as possible see our film, we are now offering Please Don’t Beat Me, Sir! for online streaming via Vimeo On Demand. On Demand is a brand new distribution platform from Vimeo which allows you to watch films streaming on the web, smartphones, tablets, and on web-connected TVs (like Roku).

We hate paying for things which we don’t get to keep, so we are especially pleased that Vimeo offers filmmakers the option of including file downloads as well as online streaming. If you watch our film online on Vimeo you can also download a copy of the film to your own hard drive and watch it whenever and wherever you want.

Vimeo

Since we first released the DVD people have been asking us about online access, and after looking at all the available options we feel that Vimeo On Demand offers users the best possible viewing experience. If you haven’t seen the film yet, we hope that the ease of using Vimeo On Demand will convince you to watch it today! If you do watch it on Vimeo, please be sure to let others know how much you like it by leaving a review.

Although Vimeo On Demand splits revenue 90/10 with the filmmaker, there is a hefty annual fee. For this reason we aren’t sure how long we will be able to keep the film online, so consider this a limited-time experiment. We don’t expect to turn a profit, but we do need to break-even…

Online streaming via Vimeo as well as the downloadable movie file are intended only for individual viewers. We ask that those interested in holding public screenings of the film, such as classroom use, continue to purchase the DVD via our via our website. We offer discounts on DVD purchases by individuals, non-profits, and community colleges.

Associate Professor Fu

When I first came to Taiwan to teach, my colleague introduced me to a local purveyor of sweetened tofu 豆花 in the night market outside of school. This woman said to me: “Fu Jiaoshou 傅教授 [“Professor Fu” – my Chinese surname]? That mean’s you’ll always be Associate Professor 副教授 [Fu Jiaoshou]!”

The pun doesn’t translate well into English, and I hope it isn’t true (I’d like to be a Full Professor one day…), but when she said it I was only an Assistant Professor and I’m happy to say that, as of today, I’m truly “Fu Jiaoshou”!

Vimukta.org Redesign

Henry Schwarz, Alan Sussman, Shashwati and I created Vimukta to help support Budhan Theatre’s community development activities. For the past few years we’ve been supporting a community library and informal school in the community, but now that the film is coming out we are getting ready to support more ambitious projects. To prepare for that we needed to launch a social media campaign centered around a website redesign. For the past month I’ve been working with Kellen Parker of Spectacle Creative Media who has been very generous with his time helping me achieve what I think is a look that reflects something of the community we work with. A site that is neither generic nor corporate nor stereotypical of the numerous clichés of Indian non-profits. I hope we have achieved what we set out to do.

Before we make the site “live” however, we need to be sure that it works on a variety of computers and web browsers. For that reason we are asking people to take a look at a demo site. When you visit the demo site, please note that much of the text, the video and some of the images are just temporary. They will be updated when we launch the campaign later this month. It is also on a slow server, so be patient if things don’t open immediately. Also, because it is a demo site, please don’t link to it. That said, please click around, let us know what works, what you think could be improved, and what is completely broken. You can leave your feedback in the comments, or by email (there is a link at the top of the page). Please be as specific as possible with your criticism, and provide screen shots wherever possible.

Here is the link to the demo site. A screen shot of the front page is below the fold.

Thank you!

UPDATE: It seems the site is still not working well on Firefox or I.E. I will update this when we’ve addressed those problems. (The picture below shows how it should look.) [Firefox problems should be fixed now. Still working on I.E.]

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Jean Rouch Award and our Kickstarter Campaign

We have some very exciting announcements to make regarding our documentary film, Please Don’t Beat Me, Sir! But before I get to that, I wanted to thank everyone who contributed to our Summer fundraising campaign. We raised just over $5,000 through the generous donations of over fifty people. Thank you all so much! And thanks to the many other people who helped out in other ways: translating subtitles, organizing fundraising parties, and otherwise helping get the word out about our film.

Thanks to your help we were able to get a beautiful new master tape out for the Busan International Film Festival in Korea, where we are having our “World Premiere” next week. For anyone whose seen the film before, the new sound mix and coloring, done by some of the same studios responsible for Hou Hsiao-Hsien’s films, will knock you out of your seats. It is like looking at an entirely new film.

Kickstarter-logo

Unfortunately, even with your generous donations and Shashwati’s tough barganing skills, we still ended up having to borrow money to pay for this work. That’s why we’ve launched a new Kickstarter Campaign to raise an additional $5000 to make ends meet. We’ve already received $940 in pledges, but because of how Kickstarter works, if we don’t reach our goal by October 15th, we won’t get a dime. If you pledge just $15 or $20 you would be making a huge contribution to the film, and you could earn one of our many prizes at the same time – including the opportunity to download your own digital copy of the film.

Jean Rouch Award For Collaborative Filmmaking

Jean Rouch

Shashwati and I were very proud to learn that the Society of Visual Anthropology will be awarding us this year’s Jean Rouch Award for Collaborative Filmmaking – the SVA festival’s highest honor. In making Please Don’t Beat Me, Sir! the films of Jean Rouch were a great source of inspiration for us. In particular, we admired the way Rouch collaborated closely with his subjects, employing a variety of devices which we ended up using in our own film. We can’t think of an award we’d be more proud to receive.

Taiwan International Ethnographic Film Festival

We are also very excited to announce that our film was selected to be part of this year’s Taiwan International Ethnographic Film Festival (TIEFF). TIEFF is organized by the Taiwan Association of Visual Ethnography and, under the leadership of esteemed Taiwanese ethnographic filmmaker Hu Tai-Li, has grown to be one of the most important ethnographic film festivals in the world. It is truly an honor to be one of the handful of films selected for this year’s festival.

A Note on Donor Prizes

Whether you donated to our previous campaign, or to our new Kickstarter campaign, we have been giving out prizes for each level of donation. These include a poster, access to an online version of the film, the DVD, etc. We have been working hard to make sure that each of these prizes is worthy of your support. We promise to get these to you as soon as they are ready, but we need a little more time. Please be patient.

Those who have access to the online version of the film will be getting an updated version of the film for free. We’ll be putting this up soon after the Kickstarter campaign ends. This new version will include the new sound mix and color correction which were paid for with your generous support.

Institutional Sales

There has been a lot of interest in using the film for teaching. We hope to be ready to start institutional sales soon. If you are interested please send us an email and we will let you know as soon as we’ve finished the DVD. And let us know if you’d be interested in a campus visit or online discussion via Skype.

World Premiere

We are very happy to announce that our film, Please Don’t Beat Me, Sir!, has been officially selected to have its world premiere at the 2011 Busan International Film Festival (BIFF) in October! The Independent listed BIFF (“Asia’s largest film festival”) as one of the top twelve film festivals of 2011.

In order to make the most of this exciting opportunity, we need your help to make an exhibition-ready copy of the film to show at Busan. In return, we are offering our supporters the opportunity to watch a special “Sneak Preview” version of the film, either online or as a DVD. Read on to learn how you can be one of the first people to watch the film by making a donation.

Please Don’t Beat Me, Sir!

Please Don’t Beat Me, Sir! is about a troupe of young Chhara actors using theater to fight police brutality and the stigma of criminality. The Chhara are one of 198 communities in India, over sixty million people, whose grandparents were labeled “born criminals” by the British. Although the British are long gone, the stigma still remains.

To learn more about the film and make a donation visit our webpage.

Crowd-sourced Filmmaking

A significant portion of the film’s budget came from individual donations collected over the internet. Donations received during our initial round of online fundraising ranged from $15 to $5000. The film wouldn’t have been possible without every one of these donations. People have also helped out in other ways: translating subtitles, recording music, designing the poster, etc. We also received grants and assistance from The Bhasha Trust, The New York State Council on the Arts, and the Asian Cinema Fund.

Now, after five years, and thanks to your support, we are ready to show the film to the world. Our goal is to have as many people see the film as possible. For a documentary film that means trying to get on TV. Film festivals like Busan are a great way to meet producers and purchcasing agents, but we’ll be competing with hundreds of other films showing at the same festivals. That means having the best-quality exhbition master we can afford, attending the film festivals in person to meet with potential buyers, and even hiring a professional publicist and graphic designer to help promote the film. We can’t do any of this without your help.

See the Film Now!

We’ve been overwhelmed by all the support and encouragement we’ve received, and we’re happy that we finally have something to give people in return for their generosity. Starting today you can watch a special “Sneak Preview” of the film online (this includes a download link) or, for a little bit more, we’ll send you the DVD.

For every level of donation we also have some special rewards, including a signed poster, your name in the credits, your name on our IMDB page, and even (for the most generous donors) a private screening with the directors.

Donate now.

This Sneak Preview is intended for personal use only, and is not intended for institutional sales. If you would like to use the film for teaching, or for public screenings, please contact us directly.

Goalposts

We’ve created a series of goalposts for this final round of fundraising. Each goalpost we reach will exponentially increase the film’s chances of success. The first twenty-two thousand dollars are essential—they will pay for an exhibition quality mix and color correction—after that we will spend as much on travel and publicity as we can raise. Everything we raise will go towards the film. All donations are tax-deductible (for U.S. taxpayers).

Donate now.


1st Goalpost: $24,000 for an Exhibition-Ready Copy.

This involves color correction and an “online” edit at a professional studio. [Watch a short video about the difference color correction can make.] Even the HD tapes required by some festivals are expensive. We urgently need to reach this goal in time for the Busan International Film Festival in October.

2nd Goalpost: Travel and Accommodation for Three to Four Festivals or Markets @ $3,000 each (max $12,000).

Since we live in Taiwan this is more expensive for us, and high oil prices mean tickets are more expensive now. But it is essential that at least one of us attend in person if we are going to close a deal.

3rd Goalpost: $10,000 to Hire a Publicist and a Graphic Designer

If we can raise a total of $44,000, the last $10,000 will pay to hire a publicist and a designer. To really do things properly we need to spend money publicizing the film. Making posters and post cards is cheap enough, but if we could higher professional graphic designers and a publicist we feel we could have an even bigger impact.

Donate now.

Other Ways To Help

The easiest way you can help is by spreading the word. Share our page on Facebook, Twitter, or Google+. Share our trailer. Like our Facebook page. Or just tell your friends about the film. Independent documentaries like ours live or die by word-of-mouth. You are our buzz-machine and we depend on you to help get the word out.

If you have a blog or newspaper or journal and you’d like to review the film, just let us know and we’ll send you a review copy of the DVD. If you are a graphic designer or publicist who can donate your services, you could help us meet our third goalpost before we’ve even started fundraising. And if you have another way you’d like to help just let us know! Thank you.

Taiwan 2.0

Taiwan Tourist Map

I wanted to announce two projects which I think should be useful for English speaking residents of the Taiwanese interweb:

  • First is a Yahoo! Pipes feed which aggregates Michael, David, and Bent’s roundups of the English language blogsphere in Taiwan. That’s one RSS feed just for their link roundup posts. You can view it on the web at http://pipes.yahoo.com/kerim/taiwanlinks or subscribe directly to the RSS feed. Two notes about this: First, because I just filter for the word “links” in their post titles, it could easily be broken if any of them start using a different naming system. Secondly, while both Michael and Bent offer full feeds from their blog, David doesn’t so the aggregated feed is also inconsistent about whether or not you see full feeds or feed summaries.
  • The second project makes use of Google’s new collaborative mapping feature. Above is a picture of the tourist map I made for Hualien.  I’ve opened this up to anyone who wants to contribute and renamed it the Taiwan Tourist Map. The idea is to have one Google map listing everyone’s favorite tourist spots, restaurants, hotels, etc. for all of Taiwan. Anyone can edit the map, but to get permission you need to contact me or one of the other contributors to get an invitation. This is just to prevent spammers or malicious users from editing the map.

Yes Logo

web20logos.jpg (JPEG Image, 321x311 pixels) - Mozilla Firefox

One of our main goals for the film is to create awareness about the plight of India’s Denotified Tribes, but we also want to turn that awareness into direct action. To this end we’ve been working hard to set up a US-based 501c3 nonprofit which can collect donations on the behalf of the communities we are working with in India. We are working with a respected Indian NGO to create a variety of cultural and educational programs which we are very excited about.

We’ll have more details about this new organization soon, but right now we need someone to help us design a logo. There are lots of sites out there that will do a logo for a flat fee, but we’d like something a little less corporate looking, preferably something with an Indian flair. Unfortunately, as a new nonprofit with absolutely no money in the bank, we can’t afford to pay what a large corporation would pay, but we don’t expect anyone to do this for free either. We are hoping to get either an experienced professional willing to cut a nonprofit some slack, or a talented new designer looking to make a name for him or herself.

We are also looking for experienced web designers to help us create custom WordPress themes for a couple of websites we are working on in relation to the film.

If you are interested in either job let us know in the comments, or via our contact form. Please include links to samples of your work and let us know what you charge. Thanks!

UPDATE: We’ve already hired a logo designer. Still looking for someone to help out with web design.

Media Transparency

If you don’t know Cursor or the Center for Media Transparency, you should. Cursor is the premier alternative news aggregation site. Since the start of the Iraq war they have been playing an important role aggregating the best of the blogsphere, making it easy for the rest of us to know what’s out there. Similarly, the Center for Media Transparency plays an important role following the money which is fueling the right wing movement, and there is a lot of it. Unfortunately, due to cutbacks in foundation funding, both are at risk. Help out by donating now.

Tweets vs. Lifelog

As of now I will stop posting tweets to this blog. Once again this blog will become a space reserved for long-form blogging. You can continue to read my tweets in the sidebar on the right, or over at my Twitter page.

At the same time, I’ve stopped using Twitter as a feed aggregator to create a lifelog of all my various feeds, including shared Google reader items, flickr photos, del.icio.us links, etc. All that is now being handled by Soup.io, and can be viewed at lifelog.oxus.net. I like that Soup lets me map this to my own domain, so I can switch to a different lifelogging service at some point in the future if I want to.

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